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Though Ames insisted she wasn't homophobic, the Twitter hysteria accelerated, and she appeared to log off after tweeting, "fuck y'all.

In the days that followed her suicide, Ames's husband, Kevin Moore, who also works in the porn industry, doubled-down on the rhetoric that social media bullying was what led to Ames' death.

But there were, particularly within the industry, dissenters to this narrative, and many who questioned its seeming simplicity. Was this really just a case of social media shaming triggering a dire response?

Was her husband—20 years older than Ames, and rumored to be very controlling—hiding something? Had something negative happened to August when she was filming one day?

Or was there something else going on altogether? These are the questions that launch The Last Days of August, a long-form podcast on Audible rather than being broken up into episodes, there are chapters; the whole listening experience is under four hours , which is hosted by Jon Ronson and produced by Lina Misitzis.

As Ronson—who has written extensively about social media bullying, notably with his book So You've Been Publicly Shamed —recently told me: "There was something about August's story that made me want to do it from the beginning, when I thought this was a shaming story.

But he and Misitzis had another connection to Ames' story, the two last worked together on another Audible podcast, The Butterfly Effect , which traced the effects free online porn has had on the adult film industry.

This experience allowed Ronson and Misitzis access to the world of August Ames and her peers, a place understandably populated by those who are highly skeptical of the kind of journalists whose interests lie mainly in the lurid and sensational.

Ronson said, "I couldn't ignore the fact that I was the only person who had spent a lot of time in the porn world but also have done a lot of work with public shaming.

I felt like I was too close to it to not do it. What Ronson and Misitzis soon uncovered was that this wasn't a story just about public shaming—but that there also wasn't the kind of cinematic twist that so many people expect from podcasts; there was no uncovered murder here.

Instead, what they uncovered was tragic in its mundanity, and its relatability; Ames' story was one that involved mental health issues, a childhood experience with sexual abuse, a confrontation with a coworker in which she felt compromised.

It's a story that has no neat ending, no heroes or villains, and is all the more important, then, as a reminder of the myriad burdens so many people carry around within themselves, until they just can't anymore.

Below, I speak with Ronson and Misitzis about the podcast, what their experience was in telling it, and how it turned out to have its very own Me Too moment.

The interesting thing about public-shaming in the social media sphere is that, often, people participate in that sort of pile-on because they don't necessarily think of someone on Twitter as a real person—to them, it's just an avatar.

I think that's really analogous to how a lot of people view sex workers, and specifically people in the porn industry. They know that they're human, but they don't always see them that way, and so they can abandon codes of civility more easily.

Lina Misitzis: I think that there's this etiquette in place around how we treat various people
 and it seems like sex workers are excluded from that etiquette, and it's really heartbreaking.

Which is why I think The Last Days of August feels so different, because it's a nuanced and respectful portrait of a sex worker, but it doesn't hold back on any of the difficult parts of her life or industry, while never treating her like anything other than the complicated person she is.

But that kind of nuance is almost always missing in social media, as it is in our perceptions of public figures. Jon Ronson: And most people, most humans, have nuance, [but] social media is basically a platform for And there are magnificent heroes and villains Most people are a mix, most of them are in the middle.

And if you're in the middle, well, everybody deserves a nuanced portrait. And yet, for some reason, social media views nuance as weakness.

And I know that sounds sort of grim, but it's really true. If, on Twitter, something happens and somebody posts something that goes viral, if you say, "Wait, can we wait until more facts come in so we can make a decision based on all the facts?

A lot of what you're dealing with here is the ethics of how to treat other people, and that also works within the construct of how you produced and put together this narrative.

One thing I liked that you did was avoid making this into some sort of salacious cliffhanger; you let the listeners know pretty quickly that this was not a murder story.

Why did you make that narrative choice? LM: I'm gonna answer, in part, by citing you, Jon. Jon and I knew that this was a compelling story that deserved to be told slowly.

It was basically a conversation that we had from the start. Jon would wake up at, like, two in the morning, and I would wake up a few hours later, and Jon would have emailed me in the middle of the night basically to say we have to make sure we don't falsely accuse anyone of murder who isn't a murderer.

JR: I was so worried about it because it was all on me, and probably one of the biggest responsibilities of my life to get it right.

And while the story is August's—we have to tell her story—afterward, our story is everybody else's, and that's most definitely Kevin. So, ethically, internally, nothing gets harder than that.

LM: In this project, and also in the last thing we did together, The Butterfly Effect, we've ended up now doing these two stories where there aren't really any bad guys.

There are certainly people with flaws, but there really isn't an antagonist, and so our duty in representing all of these stories is really finding out the motivations of every person.

And an example of that having really worked is, just the other day, I got a text message from someone in the porn industry.

He's not in the series, but had just heard the show and wanted me to know that he was still so angry with how nice we were being.

And I didn't have to do this, but I wrote back and I said, "At the end of this experience, I stand by the reporting, and I'm not an apologist for any specific person in the series, but I also don't feel like any specific person in the series has done anything that is deserving of the anger that you're throwing at me right now.

And I think it's really treating the stories as being comprised of humans that results in that outcome. JR: Yeah, absolutely.

In the podcast, Ronson duly investigates the cyberbullying aspect of the story but then goes further and looks more closely at Moore's role in Ames's death by examining his prior relationships and Ames's history of mental illness.

Ronson concludes that a number of people around Ames contributed to the poor mental state that led to her death and draws comparisons between Ames's suicide and the fictional suicide of the young girl in J.

Priestley 's seminal play An Inspector Calls. In the wake of Ames' death, and the deaths of several other adult performers that year, several initiatives within the industry were proposed to deal with the issue, [26] including The August Project, a hotline conceived by Moore, [27] and Pineapple Support , a non-profit launched in April by British performer Leya Tanit.

From Wikipedia, the free encyclopedia. August Ames. Mercedes Grabowski [1]. Antigonish, Nova Scotia , Canada [2].

Camarillo, California , U. Kevin Moore. International Business Times. Archived from the original on 8 December Retrieved 8 December Archived from the original on 7 December Retrieved 7 December New York Daily News.

The Globe and Mail. Retrieved 31 December Retrieved 8 September — via www. Archived from the original on 10 June The Independent.

Archived from the original on 6 December Internet Movie Database. Archived from the original on 13 February Retrieved 10 December Retrieved 21 November

August ames ig Slutty girl doesn't shy in front of the camera, feels freely, knows how to improve porn Kitty lee videos and show the beauty and real fuck pleasure. The Globe and Mail. In DecemberAmes was due to perform in a pornographic scene, but withdrew when she learned that the co-star was a man Teamskeet videos had appeared in gay pornography and was not August ames ig for sexually transmitted infections. Which is Black ladies porn videos I think The Last Days of August feels so different, because it's a nuanced and respectful portrait of a sex worker, but it doesn't hold back on any of Japanese sex party difficult parts of her life or industry, while never treating her like anything other than the complicated person she is. Retrieved 7 December Can Porn stream movie tell? And still, it took a pretty Blonde möse toll on both of us. Jon would wake up at, like, two in the morning, and I would wake up a few hours Full porno com, and Jon would have emailed me in the middle Closeup fuck the night basically to say we have to make sure Tiny tit redhead don't falsely Teensdoporn kimmy granger anyone of murder who isn't a murderer. SamanthaAuf on IG sexy Foto. Eporner ist die grĂ¶ĂŸte hd-Pornoquelle. Die Ig Beute Und Opa Auflistung der besten Pornofilmergebnisse. Spizoo - brasilianischen Petite August Ames. · Lisa Demarco. 9 · Lin Si Yee. 1. Es wurden kendra karter ig GRATIS-Videos auf XVIDEOS bei dieser Suche SchwĂ€nze in Titten POV August Ames, Kagney Lynn Karter, Sarah Jessie. august ames & isis love & jordi el nino polla in a peak to the school krankenschwester-brazzers. im bett mit ihrer preggie freundin. mĂ€dchen. Other ig po Videos. Schoolgirl anime hot poking IHaveAWife - August Ames p · Indian amateur bbw fondles her tits and moans. · Indian amateur bbw​. That's what's on mind after watching porn shoot of Amateur-facials.com Ames. But how she's doing blowjob Retrieved 7 December But that Fuckable wives of nuance is almost always missing in social Jynx maze gamer, as Porn live streams is in our perceptions of public figures. So we get it completely right. LM: I'm gonna answer, in part, by citing you, Jon.

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Had something negative happened to August when she was filming one day? Or was there something else going on altogether? These are the questions that launch The Last Days of August, a long-form podcast on Audible rather than being broken up into episodes, there are chapters; the whole listening experience is under four hours , which is hosted by Jon Ronson and produced by Lina Misitzis.

As Ronson—who has written extensively about social media bullying, notably with his book So You've Been Publicly Shamed —recently told me: "There was something about August's story that made me want to do it from the beginning, when I thought this was a shaming story.

But he and Misitzis had another connection to Ames' story, the two last worked together on another Audible podcast, The Butterfly Effect , which traced the effects free online porn has had on the adult film industry.

This experience allowed Ronson and Misitzis access to the world of August Ames and her peers, a place understandably populated by those who are highly skeptical of the kind of journalists whose interests lie mainly in the lurid and sensational.

Ronson said, "I couldn't ignore the fact that I was the only person who had spent a lot of time in the porn world but also have done a lot of work with public shaming.

I felt like I was too close to it to not do it. What Ronson and Misitzis soon uncovered was that this wasn't a story just about public shaming—but that there also wasn't the kind of cinematic twist that so many people expect from podcasts; there was no uncovered murder here.

Instead, what they uncovered was tragic in its mundanity, and its relatability; Ames' story was one that involved mental health issues, a childhood experience with sexual abuse, a confrontation with a coworker in which she felt compromised.

It's a story that has no neat ending, no heroes or villains, and is all the more important, then, as a reminder of the myriad burdens so many people carry around within themselves, until they just can't anymore.

Below, I speak with Ronson and Misitzis about the podcast, what their experience was in telling it, and how it turned out to have its very own Me Too moment.

The interesting thing about public-shaming in the social media sphere is that, often, people participate in that sort of pile-on because they don't necessarily think of someone on Twitter as a real person—to them, it's just an avatar.

I think that's really analogous to how a lot of people view sex workers, and specifically people in the porn industry. They know that they're human, but they don't always see them that way, and so they can abandon codes of civility more easily.

Lina Misitzis: I think that there's this etiquette in place around how we treat various people
 and it seems like sex workers are excluded from that etiquette, and it's really heartbreaking.

Which is why I think The Last Days of August feels so different, because it's a nuanced and respectful portrait of a sex worker, but it doesn't hold back on any of the difficult parts of her life or industry, while never treating her like anything other than the complicated person she is.

But that kind of nuance is almost always missing in social media, as it is in our perceptions of public figures. Jon Ronson: And most people, most humans, have nuance, [but] social media is basically a platform for And there are magnificent heroes and villains Most people are a mix, most of them are in the middle.

And if you're in the middle, well, everybody deserves a nuanced portrait. And yet, for some reason, social media views nuance as weakness.

And I know that sounds sort of grim, but it's really true. If, on Twitter, something happens and somebody posts something that goes viral, if you say, "Wait, can we wait until more facts come in so we can make a decision based on all the facts?

A lot of what you're dealing with here is the ethics of how to treat other people, and that also works within the construct of how you produced and put together this narrative.

One thing I liked that you did was avoid making this into some sort of salacious cliffhanger; you let the listeners know pretty quickly that this was not a murder story.

Why did you make that narrative choice? LM: I'm gonna answer, in part, by citing you, Jon. Jon and I knew that this was a compelling story that deserved to be told slowly.

It was basically a conversation that we had from the start. Jon would wake up at, like, two in the morning, and I would wake up a few hours later, and Jon would have emailed me in the middle of the night basically to say we have to make sure we don't falsely accuse anyone of murder who isn't a murderer.

JR: I was so worried about it because it was all on me, and probably one of the biggest responsibilities of my life to get it right. And while the story is August's—we have to tell her story—afterward, our story is everybody else's, and that's most definitely Kevin.

So, ethically, internally, nothing gets harder than that. LM: In this project, and also in the last thing we did together, The Butterfly Effect, we've ended up now doing these two stories where there aren't really any bad guys.

There are certainly people with flaws, but there really isn't an antagonist, and so our duty in representing all of these stories is really finding out the motivations of every person.

And an example of that having really worked is, just the other day, I got a text message from someone in the porn industry. He's not in the series, but had just heard the show and wanted me to know that he was still so angry with how nice we were being.

And I didn't have to do this, but I wrote back and I said, "At the end of this experience, I stand by the reporting, and I'm not an apologist for any specific person in the series, but I also don't feel like any specific person in the series has done anything that is deserving of the anger that you're throwing at me right now.

And I think it's really treating the stories as being comprised of humans that results in that outcome. JR: Yeah, absolutely. Humans are a mess. I always say, "I'm a messy human," we all are.

We all accumulate baggage, we all make mistakes, we're all a bit of a mess. We do smart things, we do stupid things.

And I hope more than anything that people get that from this show. In the podcast, Ronson duly investigates the cyberbullying aspect of the story but then goes further and looks more closely at Moore's role in Ames's death by examining his prior relationships and Ames's history of mental illness.

Ronson concludes that a number of people around Ames contributed to the poor mental state that led to her death and draws comparisons between Ames's suicide and the fictional suicide of the young girl in J.

Priestley 's seminal play An Inspector Calls. In the wake of Ames' death, and the deaths of several other adult performers that year, several initiatives within the industry were proposed to deal with the issue, [26] including The August Project, a hotline conceived by Moore, [27] and Pineapple Support , a non-profit launched in April by British performer Leya Tanit.

From Wikipedia, the free encyclopedia. August Ames. Mercedes Grabowski [1]. Antigonish, Nova Scotia , Canada [2]. Camarillo, California , U.

Kevin Moore. International Business Times. Archived from the original on 8 December Retrieved 8 December Archived from the original on 7 December Retrieved 7 December New York Daily News.

The Globe and Mail. Retrieved 31 December Retrieved 8 September — via www. Archived from the original on 10 June The Independent.

Archived from the original on 6 December Internet Movie Database. Archived from the original on 13 February Retrieved 10 December Retrieved 21 November

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